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Court Cues - August 2026 |
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Dear Friends,
It is with great sadness that we hear of Philip Aldridge’s illness. I served on the Trust Board with Philip as our CEO, a position he held for 13 years. His leadership, his roles as an actor on the stage and his great sense of humour are things I look back on with great admiration.
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After the earthquake, Philip and Ross Gumbley were inspirational in getting the new but temporary Theatre at Addington up and running. Lead by Philip, we raised $5m in just 17 weeks. A phenomenal achievement and one of the first major cultural organisations to get up and going.
He went on to do all the research and ground work for our wonderful new theatre. The Court Theatre has so much to thank Philip for. |
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Farewell Lunch in the Shed with Philip as the guest speaker |
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Our thoughts are with you Philip and your family during this difficult time.
We have only one more month of winter to endure and then we are on the upward swing. So stay warm and entertained with great theatre.
Ngā mihi
Annie Bonifant
Chair - Friends of The Court Theatre |
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Pickleball Fundraiser at The Shed |
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What has become of our Shed?
The post-earthquake transformation of what was a large empty warehouse space into a fully operating theatre has now been repeated, becoming home to New Zealand’s largest pickleball and padel centre. It’s truly remarkable to witness. For those unfamiliar with this growing sport, pickleball blends elements of tennis, table tennis and badminton and is played with solid paddles on a compact court, while padel is a fast-paced sport that combines elements of tennis and squash, played on an enclosed glass-walled court. The eleven courts are accompanied by a licensed bar and pizzeria.
While the building has taken on a new purpose, traces of The Court Theatre are deliberately retained throughout. Beams once used in the theatre have been repurposed as dividers between the courts, while two containers that served theatregoers for 14 years will now provide refreshments to players and spectators.
As one of the partners in this enterprise has said: “It was very deliberate when we took the building over to keep that post earthquake story alive and keep all of the theatrical elements. We’ve kept as much of the story as we can, and we’ve built it into the brand of the business.”
Friends of The Court Theatre responded to an invitation to act as hosts for a recent open weekend, and the result was approximately $2000 raised for us. As our chair Annie reflected, this was absolutely wonderful and so generous of the Picklepadel organisation to allow us to have this opportunity. The Shed is looking amazing in its new role. |
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Don't miss the next Director's Circle! |
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Step into the chaotic world of Teenage Dick, where Shakespeare meets high school, ambition meets revenge, and Richard III is reimagined as a teenager determined to become senior class president. |
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Director Pelenakeke Brown brings Mike Lew’s sharp, funny and thought-provoking play to the stage, exploring power, identity, disability and the messy realities of growing up. With a talented cast and creative team bringing this irreverent take on Shakespeare to life, Teenage Dick promises to be a theatrical experience unlike anything you’ve seen before.
Come along and hear from Pelenakeke about her vision for the production and what makes this twisted take on Richard III so compelling!
The Director’s Circle: Teenage Dick will be held in the Ravenscar Lounge at The Court Theatre at 6pm on Monday, 24 August 2026. |
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Photo from the last Director's Circle with David Ladderman and Lizzie Tollemache |
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| Book now |
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Tickets are only $15, including a complimentary gin and tonic (or orange juice) on arrival thanks to our friends at Little Biddy. All proceeds go to the Friends of The Court Theatre. |
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City Lights & Winter Nights |
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We’re just days away from City Lights & Winter Nights, and we’re looking forward to welcoming guests to The Court Theatre for an evening of good food, great company and a little theatrical flair, all in support of the future of The Court Theatre.
The auction is shaping up nicely, with something for every kind of bidder. Think luxury West Coast adventures, a London getaway, dinner on the Stewart Family Theatre stage, a year of date nights at Odeon and Edizi, Blackcaps hospitality, a piece of Court Theatre costume history and plenty more.
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| Take a peek at the auction line-up |
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Some of the auction prizes up for grabs... |
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A Year of Date Nights at Odeon and Edizi |
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Dinner on The Court Theatre Stage |
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West Coast Adventure at Te Waonui with Hutchinson Ford |
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Can’t join us on the night?
You can still get involved. Absentee bids are welcome — simply email Hannah Aualiitia at Hannah.Aualiitia@courttheatre.org.nz with the item you’d like to bid on and your maximum bid, and we’ll take care of the rest.
And don’t miss the City Lights & Winter Nights raffle, with four prizes up for grabs:
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Let Us Entertain You! — two premium Lounge tickets to see Robbie Williams at One New Zealand Stadium at Te Kaha
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TranzAlpine Adventure — two return Scenic Class seats between Christchurch and Greymouth
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A Hamper of Indulgent Treats — valued at over $700
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A Magnum of Giesen Uncharted Sauvignon Blanc
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Raffle tickets are $50 each or three for $120. You can enter ahead of the evening by emailing Hannah, or join in on the night.
There’s also a little more room at the table. We have a couple of tickets still available for Thursday 20 August, so if you’ve been thinking about joining us, now’s the time. |
| Book your tickets |
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Our Artistic Director introduces some upcoming productions |
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As a lover of both Shakespeare and inventive contemporary drama, I was intrigued by Mike Lew’s 2018 adaptation of Richard III, Teenage Dick. The title is deliberately provocative, and Lew gives the classic a contemporary twist, setting the play in a U.S. high school and transforming it into a (very) dark comedy. |
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More than the setting and comedic tone, however, it is the insightful lens that Teenage Dick casts over the character of Richard III as a disabled person that distinguishes this play amongst myriad Shakespeare adaptations. Lew was commissioned by Gregg Mozgala, founder of The Apothetae, a company dedicated to producing works that—in their words—“explore and illuminate the ‘Disabled Experience.’” For those who know Richard III, it is satisfying to see how closely Lew tracks to the original, within a very different frame, but there’s no need to be a Shakespeare scholar to appreciate this work. We’re excited to welcome multi-disciplinary, internationally recognised artist Pelenakeke Brown in her directing debut, along with a fabulous cast and creative team. |
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We’re also warming up (pun intended) for a sports-centric double bill from the Court Youth Company. Sarah DeLappe’s The Wolves is a 2017 Pulitzer finalist about a girls’ soccer team. It remains one of the memorable works I experienced during my time in New York. With its focus on late teens, it fits the Youth Company perfectly, but the all-female cast meant finding a complementary show with flexible casting. Then Associate AD, Tim Bain, thought of John Breen’s gloriously chaotic Alone It Stands, which memorialises the legendary 1978 Munster defeat of the All Blacks. Alone It Stands was last produced at The Court Theatre in 2005, directed by David McPhail. The two shows contrast in tone and genre but equally capture the intensity, passion, and connection that can be found in sport. |
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Trust Board AGM & Annual Report |
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The Court Theatre Trust Board held its Annual General Meeting on Monday 27 July 2026.
You can read the full 2025 Annual Report here, including highlights from the year, our financial results, and an update on the work of The Court Theatre. |
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Take Your Seat in the Wakefield Family Front Room |
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Every seat tells a story. And now, one of ours can tell yours. |
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Welcome to the front row of bold theatre. The intimate, inventive space of the Wakefield Family Front Room at The Court Theatre. This is where daring ideas come to life, new voices are heard, and audiences meet stories in unexpected ways.
For $1,000 for a seat or half a bench, or $2,000 for a whole bench, you can secure your very own engraved seat and help support the next generation of live theatre, ensuring Ōtautahi Christchurch continues to have a vibrant, inclusive hub for creative expression. Choose your seat, leave your legacy, and let one of these stories be yours. |
| Take Your Seat |
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